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Frida is a collection that is hard to pin down. It does not really belong to the past, yet it makes no attempt to interpret the present either.
It is a timeless handle, built around a striking contrast: square, solid, substantial forms are crossed by sinuous lines, almost like brushstrokes left freely on the surface.
It is precisely these marks that make it instantly recognisable. They seem to come from the movement of a hand, irregular in their apparent spontaneity, and bring an almost painterly touch to an otherwise rigorous structure.
Creating such a complex shape takes real mastery of the material, in this case brass (the material of choice for high-end handles).
The intricate reliefs, the changes in depth and the relationship between flat surfaces and decorated areas call for particularly careful workmanship, in which technical precision and craft experience become inseparable.
Italian manufacturing raises its status even further, making it a handle with genuine style.
Finally, the finishes change the way it reads. Matt bronze and Patiné, in particular, settle their darker tones into the recesses and let the reliefs emerge, making the “brushstrokes” even more visible and tactile.
French gold and gold plated finishes, on the other hand, bring out its precious, theatrical character.
Frida is not for anyone who wants a neutral handle. Frida wants to be seen, looked at up close and discovered in its details. It is a collection for reinterpreted period homes, eclectic interiors, spaces rich in materials, or contemporary homes built on deliberately strong contrasts.
A functional handle, of course, but above all a small work of art.
Why choose Frida
Frida is the choice for those who want the handle to become an element that truly defines a room. Brass, the complexity of its finishes and its brushstroke-like reliefs give it a recognisable, tactile presence that is hard to mistake for any other collection.
